The Transdimensional Queen & Project: MASA
Brandy González’s Role in a Trans-Fronterizo Sci-Fi Universe
Brandy González’s character, The Transdimensional Queen, entered the Project: MASA universe in 2022 during the landmark exhibition Mars Needs More Women, a pivotal moment in the expansion of the MASA mythos. Emerging from González’s print installation, the Queen is an ancient, multidimensional being capable of harnessing the life-force energy that flows through the cosmic web. With this power she can awaken dormant seeds, restore buried lineages, and create new forms of life capable of surviving even the harshest planetary conditions. Her sacred “alter”, a relic framed in the blackest black void of spacetime—remains the sole surviving visual record of her story, passed through eons.
The relic radiates the Queen’s creation energy through shifting bronze orbs embedded with calaveras, seeds, babies, and plants. These orbs transmit life across dimensions and act as a beacon, one that both empowers liberated peoples and threatens colonial regimes who understand the magnitude of her return. The American Nationalist Occupation has sought to destroy this last remnant of her ancient knowledge; its survival is a quiet act of resistance.
The mythology of The Transdimensional Queen continues through González’s studio practice, most notably in her large-scale woodcut She Who Breathes Life. In this monumental print, the Queen appears in her generative phase—exhaling cosmic breath across a barren landscape. From her breath, seeds scatter into the cosmos—symbols of renewal, memory, and ancestral wisdom. Behind her, the Three Sisters—corn, beans, and squash—rise from the earth, embodying interdependence and sustenance. Set beneath a star-filled sky with three moons, she sits on cracked, desolate ground, yet the pool of water flowing from her body begins to restore life to the land. At her feet, two children walk the coastline, bearing witness to the world she is shaping. Every element of this emerging cosmos—plant, seed, sky, and sea—originates from her, reinforcing her role as both creator and cosmos.
This narrative deepens further in González’s Seed to Spirit, a screenprint and installation that traces the metaphysical journey of a single seed as it transforms into consciousness. At its center lies a fetus, representing new life and unrealized potential. Surrounding it are expanding rings: seeds as the origin of life, rows of corn plants symbolizing growth and sustenance, and an outer circle of calaveras, embodying the presence and wisdom of ancestors. Extending the print into three-dimensional form, Seed to Spirit features 24 double-sided Awakening Seeds lifted from She Who Breathes Life, suspended in space as if scattered by the Queen herself. Packaged like a consumer good, they prompt reflection on the dual nature of knowledge: sacred yet circulated, inherited yet commodified. Together, these works continue the Queen’s legacy, visually mediating the resilience of culture, lineage, and the unbreakable link between earth and cosmic ancestry.
Joining the MASA Universe
Since debuting the Transdimensional Queen in 2022, González became a part of Project: MASA, the long-running speculative sci-fi framework created by Luis Valderas. Her role continued through:
MASAporte Station – Mars Needs More Women (2022)
González participated as a key figure in this activation, where the Transdimensional Queen was first called forward through ritual, printmaking, and speculative cosmology. The MASAporte Stations—portals disguised as immigration checkpoints—serve as ceremonial gateways for travelers passing between dimensions, timelines, and cultural imaginaries. González’s character became one of the few beings with the authority and ability to pass freely between such portals.
MASAporte Station & The Cosmic Naturalization Event @ Sala Diaz (04/06/24)
During the 2024 cosmic events, González took part in one of the most ambitious MASA activations to date. Led by the MASA-Mission Commander, Luis Valderas, and Flight Commander Kim Bishop, the Cosmic Naturalization Ceremony served as a ritual renewal of cosmic citizenship for all beings displaced by colonization, borders, and forced migration—past, present, and future.
The Mission Commander activated transdimensional portal arrays along the San Antonio River and at the edge of the Guadalupe River. These sites acted as synchronized frontera thresholds during the 2024 total solar eclipse. Within this ceremony, the Transdimensional Queen’s role intensified: her relic, energy orbs, and cosmic lineage became essential components enabling the spiritual re-entry of populations whose histories had been buried or erased.
MASA ECLIPSE OCT14 Video (2023)
González also appears in the MASA Eclipse OCT14 film, documenting the annular eclipse and the MASAporte activations synced with the celestial alignment. The film marks a transition point in the storyline, foreshadowing the Queen’s full return and the growing instability among occupying colonial powers. This video will be featured on González’s website as an introduction to the unfolding MASA cinematic universe.
The MASA Film Universe: What Comes Next
The eclipse activations of October 14, 2023, and April 8, 2024, together form the narrative spine of a full-length MASA feature film now in development. This film will draw from the MASAporte Stations, the Cosmic Naturalization ceremonies, and the emerging conflict between ancient cosmic powers and modern colonial regimes.
The Transdimensional Queen—her relic, her cosmic lineage, and her power to liberate worlds—will play a central role in the story’s evolution. As the River Delta Rebel Front continues its search for her, the MASA universe expands, blending borders, timelines, ceremonies, and print-based worldbuilding into a living speculative mythology. González’s ongoing work, including She Who Breathes Life and Seed to Spirit, ensures that the Queen’s story resonates across both the material and cosmic planes, linking the MASA mythos to her contemporary practice and the future cinematic universe.